The Arts

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Good article on music by Kerry Livgren, formerly of Kansas.

http://www.numavox.com/seeds.htm

Christians and the Arts

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Much debate is centered around whether or not it is right for Christians to take part in the arts. Some choose an isolationist view, choosing to avoid all movies and pop music. Others restrict to only music and movies released before a certain year, hoping that the earlier releases will promote a better set of morals. Still others watch and listen to a wide range of new releases in order to be familiar with current trends. Whatever decision an individual makes, it seems pretty common for one to be sure their choice is the right one and all the others are wrong, whether too rigid or too loose.

But what is a healthy perspective in an area where there is a lot of good but also a lot of danger? Most of us would agree that we need to at least be enough aware of cultural trends to be able to engage the culture and be able to influence change within our spheres of influence. A few contend that we should instead retreat from culture as it is lost anyway, although this seems to be a minority opinion and is not one that I believe to be the best choice.

One of the first things to evaluate is whether one can influence more than s/he can be influenced. This isn’t to say that all should be producers of content, as for many people simply being aware of culture and being able to use it as a springboard for dialogue with others is an effective way to engage the culture. But does one have the maturity and discernment to find the good (and it is there) or will s/he soak it all up without discernment and thus become a product of culture rather than an influencer of culture?

Those who have the discernment to seek the beauty in the arts while rejecting the filth are in for a rewarding experience, such as but certainly not limited to seeing truth reflected through common grace or in dialoguing with others about such tidbits. But there are others who may not have this discernment (yet?) and instead absorb the unhealthy, certainly unredeemed aspects. If one’s sense of right and wrong is being muddied as a result of absorbing the dirty side of culture, and he or she is unable to tell if it’s wrong or right, then it may in fact be wise to take a step back and focus on what is known to be good. This person is not ready to engage or influence culture as instead he or she is the one being engaged and influenced.

There’s a lot of filth that like an impostor pretends to be good. It should be no surprise — see Romans 1:18-32 — but it catches some people off guard. Can a steady diet of unfaithfulness, relationship hopping, adultery, and promiscuity (common to “chick flicks”) serve to give a woman a healthy view of life? Can a load of disrespect, immaturity, laziness, and disconnect from reality (common to kids’ and teens’ shows) help build up the next generation? Can a supply of soft-core porn or worse, and general degradation of the female gender (common to programming aimed at men) really strengthen a man?

At the same time, for those who can see the wrong but still cling to what’s right, there are a lot of hidden gems just waiting to be found. The typical consumer mindset says that it’s no fun to critique music and movies, or that to find the spiritual signifiance is “no fun” or “missing the point”. But isn’t this a healthy way to engage in the arts? Finding truth in a place so full of lies — evidence of common grace — can be an exciting thing (not to mention a great conversation piece with others who have seen the same movie or listened to the same album).

Just some thoughts this evening while reflecting on the subject — trying to look at it fairly, not venting too much at people I disagree with or pumping up my own handling of the subject. It’s tempting to just retreat and decide not to deal with it at all… it’s also tempting to accept everything because it’s fun. But I’m pretty convinced neither is right. If you disagree, feel free to let me know. Until next time,
jn

Particularly relevant

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I’m so tired of these mortal men
with their hands on their wallets and their hearts full of sin
scared of their enemies, scared of their friends
and always running for re-election
so come to DC if it be Thy will
because we’ve never had a savior on Capitol Hill

You can always trust the devil or a politician
to be the devil or a politician
but beyond that friends you’d best beware
’cause at the Pentagon bar they’re an inseparable pair
and as long as the lobbyists are paying their bills
we’ll never have a savior on Capitol Hill

[Bridge]
All of our problems gonna disappear
when we can whisper right in that President’s ear
he could walk right across the reflection pool
in his combat boots and ten thousand dollar suit

You can render unto Caesar everything that’s his
you can trust in his power to come to your defense
it’s the way of the world, the way of the gun
it’s the trading of an evil for a lesser one
so don’t hold your breath or your vote until
you think you’ve finally found a savior up on Capitol Hill’

A Savior on Capitol Hill
Lyrics and music by Derek Webb

Mystery of Mercy

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A couple days ago I came across a posting on a discussion board I visit periodically in which the author expressed frustration with a couple particular elements of popular Christianity. Much of his post centered around apparent frustration with dispensational teachings (especially the “rapture”) and semi-Pelagianism (loss of salvation due to poor performance) — namely that one could do something wrong, lose salvation, miss the “rapture”, and thus be “left behind.” He said he was “terrified” that some mistake would cause him to be left behind and be tormented by “the Antichrist.” Quoting: “what if I commit a sin, and don’t have time to confess and ask God forgiveness and repent and get…left behind?!” “what if I’m in some sin that I don’t even recognize and I get……left behind?” “what if I’m watching something on TV that’s somehow a “sin” and Jesus returns and I get……left behind?” “what if I commit the unpardonable sin and get….left behind?”

There was a time when I, too, believed in the dispensational model and was influenced by numerous semi-Pelagians. I shared these same questions and had these same frustrations… as did (and do) many, many others. Yes, each side has the Bible to back their views up… but careful study is needed to see that some interpretations do not hold up.

But the author of the post I refer to grew deeply depressed over this. All his life he had been fed a system of works… be good, no, be perfect… or “God will be displeased and do something to you.” Apparently he never found the truth, found freedom from this system, found a way of escape. Before two weeks passed he had killed four people in Colorado and he himself was dead also.

Where were the people who could have shown him truth when he was searching? Surely not all were locked into the mindset that many of us know all too well… that all music with a beat is demonic, that there is an umbrella of [human] authority shielding underlings from great harm, that it is rebellious to seek truth on one’s own… or most of all, that our performance could increase or decrease our standing with God. Where were the people who knew the truth?

And for all of us who asked these same questions, who at one time or another felt this same frustration, who once were part of this same belief system…
why has our story turned out any different?

Let me tell you this: it sure isn’t our goodness that has resulted in a different story for you and me.

~~~~~~~~~~~~~~~~

I am the woman at the well, I am the harlot
I am the scattered seed that fell along the path
I am the son that ran away
And I am the bitter son that stayed

My God, my God why hast Thou accepted me
When all my love was vinegar to a thirsty King?

My God, my God why hast Thou accepted me
It’s a mystery of mercy and the song, the song I sing

I am the angry man who came to stone the lover
I am the woman there ashamed before the crowd
I am the leper that gave thanks
But I am the nine that never came

My God, my God why hast Thou accepted me
When all my love was vinegar to a thirsty King?

My God, my God why hast Thou accepted me
It’s a mystery of mercy and the song, the song I sing

You made the seed that made the tree
That made the cross that saved me
You gave me hope when there was none
You gave me your only Son

My God, Lord you are
My God, my God, Lord you are
–Caedmon’s Call

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Note: I am not making the allegation that IBLP or Bill Gothard is responsible for the recent tragedy in Colorado. However, the belief and lifestyle structure set forth by IBLP, as well as the prevalent teachings associated with dispensationalism, semi-Pelagianism and Pentecostal belief, all certainly seem to have been catalysts. Not directly responsible, as no one is responsible for the actions of another, but still part of the bigger picture.

Another perspective on music evaluation

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A breath of fresh air compared to many articles written on this topic!

http://www.igracemusic.com/hymnbook/other/criteria.html

(Long post warning!)

“She Must And Shall Go Free”

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The purpose of this post is to discuss one of my current favorite albums and to feature a Christian musician who is not well-known but produces very thought-provoking lyrics. This album is entitled She Must And Shall Go Free by Derek Webb. According to Wikipedia and other online sources, the musician was formerly with the CCM group Caedmon’s Call but left a few years ago to pursue a solo career, leaving concert venues and large crowds to instead give small shows at churches. Derek Webb is a member of the Presbyterian Church in America (PCA) denomination; some of his lyrics allude to the Reformation or to Reformed theology. His music is often compared to that of Keith Green, although they are in reality very different aside from the thought-provoking, sometimes heavy-hitting lyrics. Derek Webb’s music is not targeted toward evangelistic outreach or for worship services; it is targeted toward the American church — addressing issues pertaining to Christians in the 21st Century. Derek’s musical style is solo vocal with acoustic guitar accompaniment, although some of the studio recordings have drums or other instruments. For those who are not comfortable with the style of the studio recordings, there are two that are solo guitar: The House Show and One Zero Acoustic. The style in this album is typically described as “Americana”, with elements of American folk, bluegrass, and country.

With that info as a background, here is a brief review of the She Must And Shall Go Free album, with comments on why I find this album to be particularly relevant.

1. The opening track is called “Nobody Loves Me”. At first glance, it might appear to be a country or blues song. However, the song actually carries the message that Christians should not be concerned that “nobody loves them” (aside from God) if they are holding to truth. The content of the song is based on Martin Luther, as is made evident by references to nailing indictments up on a door and preaching about sin and faith alone. As one who often tackles tough issues and posts about controversial topics, I appreciate the message of this song because if I am speaking the truth (which is not “an easy sell”) then nothing else matters as long as I am doing it under the blessing of God.
Quotable:
“I’m a dangerous crusader
because i need to tell the truth
so I’m turning over tables
in my own living room
then I might nail indictments up
on every door in town
because it’s not right or safe to let my conscience down”

2. The second track, which is the title track (“She Must And Shall Go Free”), is a little-known hymn from the 19th century, speaking of the church. Through the atoning power of Christ’s blood, the saints of God have been set free from bondage to sin. In addition, Christ’s blood marked the beginning of the New Covenant, fulfilling the legal demands of the Old. Therefore in Christ we can experience freedom rather than suffering under legalism. If we are following Him, we have peace of conscience through His grace. This is an important point to realize, as all too often we as Christians seem to think that we can somehow obtain greater blessings from God if we adhere to a higher standard than is commanded in Scripture. Now if the Spirit has led us to that point, then we must obey. But often we feel compelled (by something like a new law) to achieve something by our works. It’s not our works that earn us blessings. It’s finding favor with God by being identified with Christ, being washed in His blood, and being yielded to Him.
I tried to find one key quotable section but found that I couldn’t choose one specific section, so here is the song in its entirety:

“Mercy speaks by Jesus’ blood/hear and sing, ye sons of God/justice satisfied indeed/Christ has full atonement made

Jesus’ blood speaks loud and sweet/here all Deity can meet/and, without a jarring voice/welcome Zion to rejoice”

‘all her debts were cast on me,
and she must and shall go free’

Peace of conscience, peace with God/we obtain through Jesus’ blood/Jesus’ blood speaks solid rest/we believe, and we are blest

Should the law against her roar/Jesus’ blood still speaks with power

‘all her debts were cast on me,
and she must and shall go free’”

3. The third track, “Take to the World”, is a missions-minded song pertaining to the Great Commission. It serves as a reminder to “go in peace to love and to serve” (rather than going as conquerors, as was often the case with “missions” over the course of history). When we go into the world to fulfill the Great Commission, we do not go as salespeople that must “win souls” by our own words and power. Salvation is a work of the Holy Spirit, not something initiated by effort of man. We should go as instruments that can be used by God to have an impact on others’ lives. But do we usually have that attitude? We often think that we have everything and thus others should become like us — but have we ever considered the possibility that (on non-moral issues) there are areas where we could learn from others? The goal is not to convert and make people like us. The goal is for us to be like the Holy Spirit — and to be used as a part of God’s plan.
Quotable:
“Take to the world this love, hope and faith
take to the world this rare, relentless grace
and like the Three in One
know you must become what you want to save
‘cause that’s still the way
He takes to the world”

4. The fourth song, “Nothing Without You”, addresses an all-too-prevalent issue in modern society: those who have everything. Specifically, believers who have everything going so well for them that it is as if they needed nothing more. While this is certainly a lifestyle that I’m sure everyone might hope for, it comes with many pitfalls. If we feel like we have everything, and everything is going well, do we stop to think about our need for a Savior? In fact, all that we have will one day be destroyed — aside from what we have in Christ.
Quotable:
“I’ve got the race, got the election
but win or lose, I’ve got protection
I found a lobbyist in the devil
but I got salvation in a rebel
I’ve got everything, but I’ve got nothing
without you”

5. The fifth song, “Lover”, is written from the perspective of Christ to the Church. It specifically refers to Jesus’ earthly ministry, with underlying messages of both the freedom from captivity that we received through Christ and also an allusion to the future “wedding feast” that we look forward to in Heaven. The reference to the Jewish temple is especially strong in the words of the song: “I built it and I’ll tear it down so you will be set free.” Under the Old Covenant, the tabernacle/temple was the earthly place of atonement for sin. It was only a type foreshadowing the once-for-all sacrifice — Jesus’ death on the cross. After Christ’s death, the temple no longer had meaning or importance. The atonement was completed, and it became clear that the earthly temple was simply an imperfect type of the “greater and more perfect tabernacle” in heaven. It is through this atonement that we are set free — and as is clearly stated in the lyrics of the song, Christ “can’t lose one”. All who are atoned for will be set free and will spend eternity with Him in Heaven.
Quotable 1:
“…Just like these doves and sheep you will be set free.”
Quotable 2:
“But go on and take my picture, go on and make me up
I’ll still be your defender, you’ll be my missing son
and I’ll send out an army just to bring you back to me
because regardless of your brother’s lies, you will be set free”

6. The sixth song is said to be the reason why Derek Webb’s music is not well known, as it is this song that resulted in many Christian radio stations refusing to play his music. Why? The song is offensive. As is stated in The House Show, it even offends its author. But it refers to something that must be even more offensive to God — Christians who want to be publicly identified with Christ but at the same time want to have a part in the world. The song was written a few years ago in response to a popular book that was interpreted by many to involve “reading between the lines” in a particular Old Testament prayer, claiming the blessings, and expecting to receive great things from God in return. While it may sound good… is that really what God wants from us? Do we use Him (and identification with Him) as a means of getting what we want on this earth? It happens all the time — with politicians who put on the name of Christ in order to win their core base, teachers who advocate the use of Biblical promises in order to achieve material gain, and… with us. The song is called “Wedding Dress”, and is written in clear, precise language… language that is found in Scripture, but has been corrupted by modern society and thus is seen as offensive.

This is another song where I could not find one specific quotable excerpt. So, I am quoting the song in its entirety. Yes, it is offensive. But it’s also convicting.

“If you could love me as a wife/and for my wedding gift, your life/should that be all I’ll ever need/or is there more i’m looking for
and should i read between the lines/and look for blessings in disguise/to make me handsome, rich, and wise/is that really what you want?

I am a whore I do confess/but I put you on just like a wedding dress/and I run down the aisle
I’m a prodigal with no way home/but I put you on just like a ring of gold/and I run down the aisle to you

So could you love this bastard child/though I don’t trust you to provide
with one hand in a pot of gold/and with the other in your side
I am so easily satisfied/by the call of lovers less wild
that I would take a little cash/over your very flesh and blood

Because money cannot buy/a husband’s jealous eye/when you have knowingly deceived his wife”

The song is definitely hard-hitting — but relevant. It reminds me of the message in the Book of Hosea. It’s a message that needs to be brought up.

7. After the generally negative (or difficult) tone of “Wedding Dress”, the next song serves as a reminder of what it is all about. The general theme of the song is salvation — God’s grace calling one to Himself, and that soul being awakened to Christ. The song is not what one might picture in a salvation song — perhaps because we are often swayed by the Arminian/Pelagian influence in altar calls, and the emphasis on “making a decision for Christ” and “asking Jesus into your heart”. Instead, this song focuses on the spiritual aspect of salvation: God calls His elect (of whom He will lose none) and awakens that individual’s soul to a realization of Him, giving that individual the grace to respond in faith.

Once again, it seems most appropriate to list the lyrics in their entirety as there is not one particular excerpt that stands out.

“The image of God invisible/the firstborn of all life/before and within, He holds it all in/one name, one faith, one Christ
No one is good enough to save himself/awake my soul tonight to boast nothing else

I trust no other source or name/nowhere else can I hide/this grace gives me fear, and this grace draws me near/and all that it asks it provides

No seam in this garment/all my rags to hide/no less than your love for Jesus is mine

When I stand on the edges of Jordan/with the saints and the angels beside/when my body is healed and the glory revealed/still I can boast only Christ”

8. The next song, “A Saint and A Sinner”, is a change in thought from the other songs. It was written as an “honest love song” — no false, flowery language, just the truth about imperfect people being united in marriage. Marriage on earth involves two imperfect people. As unromantic as it sounds, there is no “perfect marriage” on earth — and perhaps many problems have arisen simply because people fail to realize this. There is a perfect marriage, however: the spiritual marriage of Christ and the Church. One is perfect; the other is made perfect.

From the perspective of earthly marriage, the song describes a very imperfect man to a potential wife. If she wants something good about this particular man, she has to accept something bad as well — because he is both a saint and a sinner. He is not perfect yet.

Quotable:
“…If you want my mystery you gotta take my clues
if you want my child you gotta take my kin
if you want my money you gotta take my rent

And it doesn’t get better once you see the light
you wake to find that the fight has just begun”

9. This song, “Beloved”, carries a powerful message of encouragement. It reminds the believer (the Beloved of Christ) that “these are dangerous times”. We are often blown around by various winds of doctrine, believing one thing or another, but missing the solid foundation. This results in uncertainty, and sometimes even a desire to “rather be a slave again than free from the law” as a modern doctrinal law at least provides a standard and guideline which one can achieve and feel safe.

But are these new laws (like an Evangelical Talmud) worthwhile? What is the end result of living according to a modern law? It can result in trading in the freedom found in the grace of God for moralism and legalism — and losing a vision of what freedom in Christ is really about.

The lyrics of the song carry a strong message toward anyone who would be tempted to participate in the latest “program” for achieving results (spiritual growth, answers to tough issues, raising a Godly family, etc.) — which really describes all of us: “Beloved listen to me/don’t believe all that you see/and don’t you ever let anyone tell you/that there’s anything that you need/but me”.
Even the most well-meaning teacher, and the most well-rounded seminar, can end up becoming a distraction from what God really has in store from each person. We tend to rely on that person, organization, or method… instead of God. If we rely too much on man’s well-crafted words, we tend to become gullible and desensitized — so that we are attracted to new and exciting teachings while lacking the discernment to verify if it is truly right. Can the teaching of man “circumcise hearts”? Or does it, at best, simply advocate a return to either the Law or else a modern equivalent? We desire blessings from God… but are we looking for blessings in the right place and for the right reasons?

Quotable:
“Beloved there is nothing more
no more blessings and no more rewards
than the treasure of my body and blood
given freely to all daughters and sons.”

10. This song serves as a reminder of the total depravity of man. Even if we try to look good on the outside — by identifying with Christ, saying the right words, and appearing as “model Christians” — we’re still depraved human beings. Sometimes we tend to try to play up the appearance of being good people so much that we lose a sense of “realness” with one another. Are we honest with one another about who we really are? Or are we content to just let everyone see how we live according to good standards and appear to be good people, without letting on to problems? Our lives look good on the outside, but what about the mind? The first two verses of the song describe a person who looks good to anyone, but struggles with capturing his mind and is comforted by bad things. Is he good because he appears good? No, because while man sees outward appearance, God sees the heart.

Even if we live the model Christian life… we’re still “crooked deep down”. We don’t need to dwell on the wrong — but we need to have humility and realize this truth.

Quotable:
“I’m not water but i’m not wine
you could say I’m just here for the party
with one thing on my mind
squeezing me and my camel through that needle’s eye”

11. The album concludes with a song entitled “The Church”. Written from the perspective of Christ (as a first-person narrative), it opens with the statement that “I have come with one purpose/to capture for myself a bride/by my life she is lovely/by my death she’s justified.”

The Bride of Christ may not always be faithful. Often it plays the part of a whore, forsaking its true calling for pleasures of the world. Still, Christ will not forsake those whom He chose from the beginning… He will redeem and cleanse us because we are valuable to Him. It’s not by our own doing, but by His choice.

“I have always been her husband/though many lovers she has known/so with water I will wash her/and by my word alone.
So when you hear the sound of the water/you will know you’re not alone.”

The chorus is a reminder to love one another… even though it might be difficult, if we don’t love one another, we show no love for Christ. Jesus commanded that we love our neighbor. Sometimes Christians advocate leaving the organized church to pursue alternatives such as individual family house-church worship or simply walk away from church altogether, regarding fellowship with others as a curse rather than a blessing. I believe this is to be wrong — fellowship with one another is a vital part of the Christian walk.

“‘Cause I haven’t come for only you/but for my people to pursue/you cannot care for me with no regard for her/if you love Me you will love the church.”

The second verse is a sobering statement about our condition — and our behavior. We have to wonder… what is there to love about depraved human beings? What do we do that makes us fit to be the Bride of Christ? No matter how hard we try… we fall short. Even the highest of standards and Godliest of ambitions won’t get us anywhere. It’s all through God’s grace, and not through any act of our will, that we’re still seen as holy in God’s sight.

“I have long pursued her/as a harlot and a whore/but she will feast upon me/she will drink and thirst no more.
So when you taste my flesh and my blood/you will know you’re not alone.”

We can’t earn our way to heaven. We’re fully at God’s mercy — but He won’t lose any that He has chosen; instead He will give the grace to persevere. As bad as any of us may be, He’s not done with us. Despite everything else, we remain special in His sight. We may struggle with one another and feel like it is impossible to love fellow believers — but really, everything else aside, each of us who are Christians are in the same position: Imperfect, but yet still justified and sanctified.

“There is none that can replace her/though there are many who will try/and though some may be her bridesmaids/they can never be my bride.”

This album can be downloaded from iTunes, or streamed over the Internet using a RealPlayer Rhapsody account (free). Another album that may be of interest is The House Show, which features acoustic music and short but solid messages (almost brief sermons).

This is not typical modern Christian music. It does not fit in either major genre (praise and worship music or “encouraging” music). It is not Christian easy-listening music that speaks of everything being good. The lyrics and concepts are deep. It’s not always easy to understand, perhaps also qualifying as a musical art form along the lines of impressionism or even Picasso. However, I find this particular album to be very encouraging in its own way, as it acknowledges the depravity of man and emphasizes the work of Christ and our total dependence on Him. This is something that is very rare in Christian music today.

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